If you find yourself in LA, make sure before you arrive that you make a reservation to tour the interior of the EAMES HOUSE. You can find out all the details here. The tour is intimate and incredibly special, it feels like a morning or afternoon as a house guest, with an opportunity to sit on the rug and have a chat with the docent. It’s something that we could see ourselves returning for another interiors tour, there is so much to absorb, and so much packed into an efficient and somewhat compact space. It is a splurge, but it is work every penny – the money is reinvested into the preservation of the property.
The most surprising element to the property was the proximity of its location to the ocean. Perched on a hillside, the home is set back, and overlooks a meadow in which you can see the ocean framed through tall beautiful eucalyptus, the setting is incredibly magical. We can see why Ray when she would arrive back to the house + studio, she would ‘inhale deeply and smile’, we did too.
We did notice some similarities, and I am sure Emil Tessin was influenced by these case study homes. We noticed that the exposed steel beams and colors had some likeness in our Alside House, maybe that helped us feel comfortable when we were on this tour.
There was so much to be inspired by on this visit. For example, the ferns in the garden [pictured above] are something that we want to place into our garden, and we definitely want to introduce more house plants into the interior. Photography is not permitted of the interiors – but check it out for yourself – the vignettes are so inspiring. Oh! And we must be the last people on earth to learn that the ‘house bird’ is a replica of a decoy that Charles & Ray picked up in Indiana when on a road-trip after getting married in Chicago [yep – we purchase one – but on the hunt for a ‘decoy’]. Lots of inspiration here, that is why we can see that return visits would be of value – so much to experience.